]> fortfriendship.online Git - gnargle.github.io.git/commitdiff
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authorAthene Allen <atheneallen93@gmail.com>
Wed, 27 Aug 2025 17:01:53 +0000 (18:01 +0100)
committerAthene Allen <atheneallen93@gmail.com>
Wed, 27 Aug 2025 17:01:53 +0000 (18:01 +0100)
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entries/thegirlwholeaptthroughtime.html
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+<!DOCTYPE html>
+<html>
+  <head>
+    <meta charset="UTF-8" />
+    <title>Welcome To Oz</title>
+    <meta name="twitter:card" content="summary_large_image" />
+    <meta property="og:title" content="Welcome To Oz" />
+    <meta name="twitter:title" content="Welcome To Oz" />
+    <meta name="description" content="lorem ipsum etc" />
+    <meta property="og:description" content="lorem ipsum etc" />
+    <meta name="twitter:description" content="lorem ipsum etc" />
+    <meta
+      property="article:published_time"
+      content="1999-01-01T00:00:00+00:00"
+    />
+    <link rel="stylesheet" href="../main.css" />
+  </head>
+  <body class="whole-site">
+    <div>
+      <iframe class="embed-title" src="../shared/title.html"> </iframe>
+      <div class="main-container">
+        <div class="main">
+          <div class="entry">
+            <a href="../index.html">Home</a>
+            <div class="title-block">
+              <h3 class="blog-title">Welcome To Oz</h3>
+              <h3 class="datestamp">07/08/2025</h3>
+            </div>
+            <div class="content">
+              <div class="content">
+                <p>
+                  This is the second in a series of posts about Mamoru Hosoda's
+                  films. The previous entry can be found
+                  <a href="thegirlwholeaptthroughtime.html">here.</a> The next
+                  one will be available in a few weeks.
+                </p>
+                <p>
+                  It's 2009. The iPhone is brand new. The Wii and the DS are
+                  juggernauts, sitting in nearly every home in Japan. The
+                  internet is no longer the reserve of weird nerds and
+                  teenagers: it has well and truly <b>arrived.</b> Your boss
+                  posts on facebook. Brands have signed up to twitter.
+                </p>
+                <p>
+                  But even as the world becomes ever more digital, the world
+                  keeps turning, and summer arrives just as it always has.
+                </p>
+                <p>
+                  The Girl Who Leapt Through Time may have leant on nostalgia,
+                  but it was also a remarkably forward thinking film. It asks
+                  the viewer to savour the time they're given, to look to the
+                  future with bright eyes. Summer Wars, meanwhile, is a
+                  remarkably futurist film, imaging a world where everything,
+                  from train timetables to microwaves to provincial government,
+                  is controlled through one central, worldwide application. And
+                  yet, despite all that Summer Wars is a film about history.
+                </p>
+                <p>
+                  I'm being a little bit facetious here - the A-plot in Summer
+                  Wars is undeniably a sci-fi bananza, but it is also a straight
+                  remake of Hosoda's earlier work on Digimon: Our War Game. You
+                  may know it as the middle third of Digimon: The Movie.
+                </p>
+                <p>
+                  And look, fair cop to Hosoda - he fuckin' nailed it with that
+                  short. It survived basically uncut into the movie (which
+                  cannot be said of the other two shorts that make it up) and
+                  then gets remade with the serial numbers filed off in Summer
+                  Wars, and it <i>still absolutely rips.</i>
+                </p>
+                <p>
+                  But the magic of Summer Wars is how it weaves the story of the
+                  Jinnouchi clan through each beat of the a-plot. Wabisuke and
+                  Sakae are the most important members to the plot, being the
+                  creator of Love Machine and the matriarch of the family,
+                  respectively, but each member has a chance to shine in their
+                  own way.
+                </p>
+              </div>
+            </div>
+          </div>
+        </div>
+      </div>
+      <iframe class="embed-links" src="../shared/links.html"> </iframe>
+      <iframe class="embed-footer" src="../shared/footer.html"> </iframe>
+    </div>
+  </body>
+</html>
index 222222fa6539a1f00b065553046c5f93798efa6d..bc4ed2229d7b61e3a843102b00c435e4b682519f 100644 (file)
                   we still can. To everyone out there who might need it - and
                   everyone who doesn't, too. I love you. It'll all work out.
                 </p>
+                <br />
+                <!--p>
+                  This was the first in a series of posts about Mamoru Hosoda's
+                  films. The next entry can be found
+                  <a href="summerwars.html">here.</a>
+                </p-->
               </div>
             </div>
           </div>
index d6d4bc816735160eeea03e52e256d10230b8b335..36fa4142f885dd6c645ed9dc769f3389b8f2125e 100644 (file)
           </div>
           <div class="entry">
             <h2>Blog</h2>
+            <!--div class="title-block">
+              <a class="blog-title" href="entries/summerwars.html">
+                <h3>Welcome To Oz</h3>
+              </a>
+              <h3 class="datestamp">25/07/2025</h3>
+            </div-->
             <div class="title-block">
               <a
                 class="blog-title"